SENDRATARI PRAMITA BEDANDER, BUKAN SEKEDAR TONTONAN: SINERGI DALAM MEMBENTUK KESADARAN KOLEKTIF (KE-) MAJAPAHIT (-AN)

Abstract

ABSTRACT
This article is the result of community service in creating public awareness about Majapahit. Medium namely the performing arts. The performance here certainly leads to the giving of insight into kemajapahitan. The Mojokerto Regency Government, through the Department of Tourism, Youth, and Sports routinely holds shows to unveil the knowledge of kemajapahitan to the people, especially millennial generation. The movement is to maintain the traditional community. If these traditional communities have high productivity, then indirectly efforts to maintain intangible heritage from the challenges of modernity is getting stronger. Local wisdom is not eroded by the massive waves of the internet that creates uniformity. It can simultaneously transform cultural ideology in global culture, as has been done by the Tengger and Using people who have successfully resisted cultural disruption. The methods of creation in Pramita Bedander ballet are basic knowledge, floor patterns, exploration, and transformation of performances. The final stage of creation is to compile the elements of the process in accordance with the play to strengthen the character and give the spirit of performance.
Keywords: Cultural disruption, Intangible, Majapahit, Sendratari,